Carolyn Hart, interviewed by JoAnna Carl
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Over the years, the NorCal East Bay chapter of Mystery Readers International has had many "At Homes"—intimate evenings with favorite mystery writers. We've hosted Anne Perry, Lawrence Block, Sue Grafton, Elizabeth George, Janet LaPierre, Sharan Newman, Laurie King, Rochelle Krich, Carolyn Hart, James Ellroy, Steven Saylor, Janet Evanovich, Eddie Muller, Taffy Cannon, and many others.
These events are held in private homes, and they're similar to Literary Salons. Since so many of our cyber members and friends aren't able to attend these intimate evenings, I thought it would be fun to have a "visiting" author each month interviewed by another "visiting" author. This month we feature Carolyn Hart, interviewed by Joanna Carl.
 Carolyn Hart was our guest at a real-time Mystery Readers International At Home Literary Salon many years ago. Since most of the readers of this Blog were not there, I asked JoAnna Carl aka Eve Sandstrom to interview Carolyn Hart for our continuing At Home Online series for the Mystery Readers website. An accomplished master of mystery, Carolyn Hart is the author of 19 Death on Demand novels that have won multiple Agatha, Anthony, and Macavity awards. She has also written 7 Henrie O mysteries, 2 Bailey Ruth Raeburn "ghost" mysteries, and over 20 non-series books, plus multiple short stories. Hart has a new Death on Demand book out this week, Dare to Die. Hart is one of the founders of Sisters in Crime.
—Janet Rudolph |
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JoAnna Carl: When we were in college, all of your fellow J-school students thought you'd be the next Margaret Bourke-White. Do you ever regret that you passed up becoming a top Washington correspondent or a foreign correspondent?
Carolyn Hart: It is possible to have the best of all worlds when you write fiction. I too thought I would have a trench coat, notebook and pen and travel the world. Instead, I married, had a wonderful family and turned to fiction. When I created Henrietta O' Dwyer Collins (Henrie O), she had the life I thought would be mine. Henrie O is taller, smarter and braver than I am and a successful foreign correspondent, but she reflects my attitudes and interests.
Why do you write mysteries anyway? What appeals to you about this literary form?
I write mysteries because we live in an unjust world. Mystery readers and writers long for a world where justice is served, goodness admired, and wrongs righted. We don't find that world in our everyday lives and that's why we revere mysteries, both reading and writing them.
Did you ever consider writing anything non-mysterious? Fantasy? Scifi? A combination there-of? Biography?
I was fascinated by the plight of the nurses trapped on Corregidor and wanted to write a non-fiction book about them. At that time, the diaries and papers were not available so I wrote Brave Hearts, a World War II book set in London and the Philippines.
You're recognized as an authority on Agatha Christie. What draws you to her work?
Her brilliance, charm, creativity, and insight.
What mystery novel influenced your development as a writer? Or can you point to one? Or was it a book of another type?
Christie's works and those of Mary Roberts, Rinehart, Phoebe Atwood Taylor, Mary Collins, and Josephine Tey. As for a particular novel, I will always be in awe of Christie's Ten Little Indians.
Mystery fans may not know what a great teacher you are. I've heard successful mystery writers say, "Oh, I'd never take a writing class." Did you yourself ever take a writing class?
No, but I have attended many writing conferences and always learned something new.
What should a potential student of mystery writing look for in a writing class?
A teacher who understands that styles and minds and attitudes and tastes differ. The teacher should offer insights into the creative process and offer criticism that judges a work against the objectives of the writer.
You had bunches of books published before you made a hit with the Death on Demand series. What encouraged you to hang in there?
I don't think writers have a choice. They (and I) must write whether the work is accepted or rejected.
You've written three popular mystery series. What is the key to creating appealing, lasting series characters?
Respect. The writer must respect the characters and the readers.
Agents, editors, professors and other people who hand out advice on writing all urge the author to develop his or her "own voice." Then they say, "Voice is hard to define...." What's your take on this?
Every individual is unique. Each of us sees the world differently. A writer must relax and offer what they have and who they are without artifice.
Do you recognize recurring themes or ideas in your own books?
I almost always seem to write about the abuse of power in relationships or the overweening self aggrandizement that destroys relationships. The underlying theme is always a celebration of goodness. Goodness, decency and honor matter.
You were one of the founders of Sisters in Crime. Do you have any special memories you'd like to share about this organization's early days?
I think it was the spring of 1989, possibly it was 1988. I was in New York for Edgars and my editor told me there was going to be a gathering of women writers to talk about forming a new organization. She thought I might be interested in attending. The meeting was in Sandra Scoppetone's loft.
That was the first time I ever met Margaret Maron and Sue Dunlap. At one point, everyone was talking excitedly about what could be accomplished if women worked together. Sue Dunlap asked the people standing behind her to catch her. She toppled over backwards and they caught her and it was an illustration of how we had to trust each other and be willing to take chances. Everyone was incredibly enthusiastic and excited. The idea for SinC had first been suggested by Sara Paretsky at a Bouchercon breakfast with a few writers. This meeting in New York was to decide whether to form the group. The decision was made and Sisters in Crime came into being in Sandra Scoppetone's loft.
I also remember walking into that room, filled with about seventeen women writers, and it was the first time I ever felt at home with a group.
We were amazed and touched by the generosity of our fellow writers and by the warmth of readers. Today the organization is more than three thousand strong here and around the world.
What are some of your personal likes and dislikes?
My favorite things:
Family.
Children's laughter.
Friends.
Summer, sea, and sand.
The 1928 Episcopal Prayer Book.
Authors to reread: Agatha Christie, Mary Roberts Rinehart, Constance and Gwenyth Little.
Chocolate.
Cats.
Kindness.
Baseball.
Car trips.
Having written.
Things I hate:
Rudeness.
Arrogance.
Snow.
Mountains.
Heights.
Do you have any predictions on the future of the mystery?
Carolyn: The mystery will always prosper. Readers seek goodness. They do not find goodness triumphant in the world as we know it. They will always find goodness triumphant in the mystery.
Archived At Home Online Interviews:
Track 1:
Val McDermid, interviewed by Ian Rankin
Ian Rankin, interviewed by Peter Robinson
Peter Robinson, interviewed by Michael Connelly
Michael Connelly, interviewed by Laurie R. King
Laurie R. King, interviewed by Dana Stabenow
Dana Stabenow, interviewed by Jan Burke
Jan Burke, interviewed by T. Jefferson Parker
T. Jefferson Parker, interviewed by Harlan Coben
Harlan Coben, interviewed by Laura Lippman
Laura Lippman, interviewed by S.J. Rozan
S.J. Rozan, interviewed by Qiu Xiaolong
Qiu Xiaolong, interviewed by Cara Black
Cara Black, interviewed by Peter Lovesey
Peter Lovesey, interviewed by Anne Perry
Anne Perry, interviewed by Carole Nelson Douglas
Carole Nelson Douglas, interviewed by Nancy Pickard
Nancy Pickard, interviewed by Carolyn Hart
Carolyn Hart, interviewed by JoAnna Carl
Track 2:
Ken Bruen, interviewed by Reed Farrel Coleman
Reed Farrel Coleman, interviewed by Megan Abbott
Megan Abbott, interviewed by Theresa Schwegel
Theresa Schwegel, interviewed by Michael Koryta
Michael Koryta, interviewed by Steve Hamilton
Steve Hamilton, interviewed by William Kent Krueger
Track 3: At Home with Janet Rudolph
Reginald Hill
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